Clean Up

Here are a couple of home tiles. The living room is already orderly and now it is time to do the wash.

Velvet underglazes on handmade tiles, fired at cone 06, December, 2017.

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Mean Babies

A while back I made some tiles featuring “mean babies”, odd little persons who all seemed to have a belligerent look about them.

That’s become my name for any small tile featuring a person, usually with spaghetti arms and legs, no matter what their personality. These people do not necessarily look mean, but…they are mean babies, that’s that.

Velvet underglazes on lowfire clay, fired at cone 06, December, 2017.

Art Diary 2018 – Week Ending February 16

 

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

More art. A new week.

February 9, evening – I made a couple more paper dolls. I think there will be still more to come.

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Saturday, February 10 – I loaded up the kiln with my assortment of mini-tiles with the idea of firing them the next day. With a bisque load (the first firing) – the tiles will emerge as ceramics after having gone in as dried mud. In this stage, I  could stack the tiles and arrange them tighter; they have no glaze on them to stick to each other –  and I would if I had a full load, but this small amount of work can be spread out, there’s plenty of space, so I used three full shelves and a half shelf, built up from the bottom of the kiln.

Here is a portrait of the hard-working kiln stilt. These items come in various heights and allow for a custom array of kiln shelves for each firing, depending on what is being fired.

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In the evening, I was tired, and we were watching the Olympics on TV – I needed something to occupy my hands. I have a couple of paint brochures, so I got one out, plus a white gel pen and a black ink pen.

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My idea was to make little drawings for each color square, the theme being that I’d draw what the color name inspired; and I needed both pens because some squares were dark and others light. I’ve done this kind of thing before.

But, it’s been some time. Now I wonder why I let myself forget about this activity. It’s lots of fun. I’m showing you just a bit of the two pages; I’ll do a post with better pictures when I’ve finished the other brochures I’ve got. These little pictures take some study.

Sunday, February 11 – I did fire the kiln today; results tomorrow. Otherwise, I worked on that mysterious collage project I have mentioned. I promise you will see the results in good time.

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When I cleaned up, well, there were some interesting sights on my table. Who would discard a perfectly good arm?

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I also want to mention a collage inspiration that I’ve used in the past and will certainly do so again. When I am working at collage, I am flipping through magazine pages, moving fast, and I slash or tear out the image or item I want, leaving irregular scrap-pages in my wake. The subsequent pages are peeking through these holes, that’s what is happening, and I have been struck by the compositions that result when I come upon the layers of pages in a calmer mood. Serendipity calling!

I cut around the layers, lift them out of the magazine as a whole, and glue them down. And there I have something nice, courtesy of — chance. Let me show you what I mean. I photographed some of these situations after this collage session. If I think of it I’ll go back and cut them out of the magazine.

Monday, February 12 – I opened the kiln. All good. Here’s a look at all four levels, top to bottom.

Now I’m ready to put some color on these tiles. I’ll be working on these for some time, I think. A nice meditative kind of work.

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Then I started on a new project. I had eight 4″ x 4″ gesso-primed cradled boards. I decided to make small paintings using a sheet of photos I had printed out as my reference.

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I chose eight of the nine views and quickly sketched on the boards in pencil. Oh no, I am thinking. This is not how I usually work. I generally just start right in with painting. Pencil sketching is how I make tiles. Well, that’s fine, but underglaze behaves differently from acrylic paint.

Well, I’ve got a dilemma now. How will I make this work out? I’ll figure things out as I go, I guess.

That’s in the future. Here is the overall group, laid out like the photo page:

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And here are the individual sketches, photographed in a hurry, but you get the idea:

Tuesday, February 13 – I worked on the small paintings.

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I will let these rest a bit, I think. I like how they are turning out. I found myself using smaller brushes than usual, that’s how I dealt with the small scale (I’m proud of myself for figuring that out, I am).

I also like the sketches I made to start them off, even though they are now obliterated – I might do a set of pen and ink drawings of the photos and make them into postcards.

Wednesday, February 14 – I was in the mood for some free-form painting today, as opposed to following a prepared plan as I did with the 4″ x 4″ group. I got out four gessoed 8″ x 8″ boards (I am using up the supplies that I have accumulated over time and there is a lot of variety in what I bought in the past, oh yes). These boards have 1 1/2 inch cradles, making a thicker profile than what I usually choose, so I guess I might have gotten these on sale?! Anyway:

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I decided to do two of my favorite motifs – faces and trees. I did some random paint application:

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Things progressed:

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and progressed:

and at the end of the session here is where we were.

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Paintings this small can go quickly when I’m in a free-form mood. I’ll take a look in the next couple of days and see what needs to be done to them to finish them.

Friday, February 16 – I worked on a variety of things this afternoon – my mind felt a little skittish. I painted ATC’s – whether these will stay this way or not, I don’t know, in the beginning I just paint.

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I might do some collage on these cards and I also have some other collage-ready surfaces, so I painted some papers, too.  In the past, late 1990’s and early 2000’s I made many collages using only papers that I had painted, usually in a more representational style. I don’t do that anymore (it had its run and then one day – enough) but I mention it to say that in those days I had many pages of painted sketch papers. Usually I’d do a whole sheet in each color or design – here I just wanted a little of a lot of colors, done very simply – no layering of colors or adding a lot of splatters or the like.

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I added a little bit to the current page in the current Artist Sketchbook I’ve got going – remember, this is where I put extra paint or papers or ink or whatever and try to turn it into something. I like this abstract composition and I might say it is finished.

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Finally, I selected one of the four portrait paintings I did the other day, obliterated the face, and did something different. Now I’ve got a little goblin creature who looks like he might just have eaten an unwary…something. I like him, though he might need a little more work. The other paintings,  I’m pretty happy with them, though I do think I was on a definite ogre/troll/gnome theme.

OK, that’s it for this week! Thanks for taking a look.

Black and White Postcards

One day in November, I got out some supplies: India ink, a Chinese brush, and two packs of watercolor paper postcards I had bought to try out. I had a pile of photos, too, plus my imagination.

Quick and fast I made these drawings.

I enjoyed it. I’ll do this again.

 

Scrutinized People

Here’s the whole group of portraits together. I thought it might be nice to see them all at one time.

Acrylics, 12″ x 9″ on masonite panels, November 2017 and January 2018.