Tag Archives: art show

Art Show Wrap-Up, Pennridge Gallery of the Arts

Every so often I think you might like to see some scenes of the art fairs in which I participate. This previous Sunday, September 15, we were at an event in Sellersville, PA, about 40 minutes from our house.

It’s a street fair that lines Main Street in this town, and it’s very festive and full of lots of things to see and do. I want to mention how well-organized it is, too – from a vendor’s standpoint, it’s an extremely easy show to do. I especially appreciate the high school students who volunteer (and there are a lot of them), helping with unloading the car and other tasks. It’s really nice.

Anyway, the day was a perfect early fall day.

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We got things set up and took it from there.

Guess what. My tall lady figurine, one that you might remember from a recent post, won 3rd prize in my category.

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I think she and I were both very happy. (Thanks to my friend John G for these following photos.)

Lots of friends stopped by the booth during the day – thank you to John G, Bill F, Chris and Mark, and Missy M.

What else happened? Well, all day we kept hearing a bell-ringing sound, the kind you associate with the fair activity where you hit the platform and spring a weight up to ring a bell. Yes, we heard many rings and lots of cheering.

Late in in the day I went down the row to see what was going on. Sure enough, just as we thought, but – the set-up was sized for six-year-olds. The fire department sponsored the activity and the fireman on duty said there was no age limit to participants. I stepped right up to the challenge, hoping not to embarrass myself since two quite young boys in line in front of me handily rang the bell multiple times

Luckily I could handle the job. As my reward, like all the kids, I got to try on the fireman’s helmet. My husband took this picture.

Claudia fire woman Sellersville 9-15-191

All right, I think this day was a success all around! And a lot of fun.

An Almost Wordless Walk Through a Day at an Art Fair

Last Sunday, June 30, we spent the day at Newtown Welcome Day, Newtown, PA. I took my clay work. Here’s a series of photos from the day that chronicle how things look from my set up at a street fair from the start of the event (three hours before start, in our car waiting to get onto the cleared street to set up) to when the fair is in full swing.

Take a look. I hope to give you a feel for what a day on the street selling art entails.

Arrival.

The booth is ready for customers.

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The street fills with people.

I sit behind my display and watch the traffic in the street.

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Art Diary 2018 – Week Ending September 28

 

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

Art on the mind…

Saturday, September 22 – We spent the day at the Community Arts Center’s Fine Arts and Crafts Festival, held in Swarthmore, PA. The art center, located a few miles away, is a really nice place, offering classes in many disciplines as well as children’s classes and camps, exhibits, and music events. I taught collage classes there for some time and I know many people connected with the organization.

Swarthmore is also a familiar place to me and I have many associations with the town and the school dating from my collage days. For example, my husband and I have participated in the town’s New Year 5K several times and I had a solo exhibit in Borough Hall/Library in 2012.

So when we pulled into town we knew what was what, as they say! We arrived at about 7:30 AM.

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We set things up without incident.

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The day started off warm and humid but it grew cooler and windier as time went on. Still, the weather held.

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One of my near neighbors made these very intriguing and functional fire pits, or as she called them, fire sculptures. I like them.

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We were centrally located near the raffle tent and the entrance to borough hall was right across the street. The latter is a plus because…the bathroom is in this building. At street shows, an indoor bathroom is a huge plus and being near it is even better. Just saying.

I took several street shots during the day. I think these show you a very typical street fair scene.

In this one, the man in the green shirt to the far right is the executive director of the Community Arts Center. Remember him.

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The show features artist demonstrations. I have done this job myself in the past and it is fun. Here is an art friend of mine, Jane, showing her watercolor technique.

There is also music at this fair, in the small amphitheater to the left front of the borough hall. We could hear the music all day.

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I told you to remember that man in the green shirt…here you see him again, filling in on the drums (the regular drummer had an emergency and could not be there) in my favorite group of the day, the Swarthmore Ukulele Orchestra. You have not lived until you have heard a ukulele rendition of Glen Campbell’s “Gentle on My Mind” and watched a group of six-year-olds dancing their hearts out to the tune.

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The show was a pleasant end to my painting season for 2018. The crowd was appreciative and though sales were light, my work was well received.

Sunday, September 23 – My husband and I went to his office for a few minutes to pick up artwork he’s had on his office walls (he displays various pieces of my art at work and has done so for years). His office is moving and he thought he’d change out his art. I found this old piece there. I remember it – it was a collage done on a 12″ x 12″ board that was awful, and then I painted this house over it, and then I gave up in disgust. I am not sure why it was not in the trash.

Pink House Pale Sky 12 x 12 5-1502

Ick. So while I was watching TV at night, I decided to work it over with pens and markers. If it turned out ok, great. If not, it would make that trip into the trash. Here is where it ended up. I think it actually turned out well. Saved from the trash one more time.

Very Busy Home 12 x 12 9-1801

Here they are side by side for comparison.

Monday, September 24 – First I gessoed some more boards that I had gotten my husband to sand off their previous occupants. I’ve got quite a supply of second-time-around painting surfaces now.

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I started some tiles. I have five more spaces in the kiln (I’ve partially loaded it) and these guys will fill them.

I was going through some old artwork and I found these two tiny landscapes.

They are the only ones that did not get taken during the Small Landscape Giveaway in 2015-2016 or by a friend here in my everyday life. I felt sorry for these little guys, but – I also saw the opportunity to do the same thing to them as I did with that previous house picture. Update or renovate, whatever you may want to call it. So while I was watching TV I worked on them and here they are. I’ll show you the old and new versions side by side.

It makes me want to order some more of these tiny canvases (5″ x 7″) and get cracking on some embellished landscapes gone wild…

Tuesday, September 25 – More tile work. I’ll show you the whole sequence, including yesterday’s work.

Pretty much finished with these, I think, but I’ll look them over later on and see if any amendments need to be made.

Friday, September 28 – I had some time this afternoon to work on art, resuming studio time after a couple of days away. I’ve cleaned up a work table:

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and for right now I want to sort through some odds and ends. I don’t feel like starting up anything too serious right now. I got out the plastic box that I toss odds and ends of drawings into and set the contents out on the table. Most of these items are practice drawings in Chinese brush/India ink for my ongoing Minuscule (story and accompany poem) book illustrations.

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And some closer views – there are a lot of funny little things here.

I pulled out some items to color with markers. Others I will leave alone. I will use these in collage projects.

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You may also have noticed some of those phrase cards I make with cut-out snips from old books, the ones that I use to write poetry (as in this Poetry Marathon post). I’ve got a lot of these now too. I used acrylic inks to splodge color on them – I’ll use them for collage, too.

I worked on the three small 6″ x 6″ crazy paint/ink/crayon/oil pastel things I do. These are getting close to being finished. I still think the lady on the right looks like a mailbox, now with someone trapped inside. Oh dear, I’d like to think of a more happy story.

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Last, I opened my latest Large Artist Sketchbook to a new page and used the phrase cards as stamps on a couple of pages. This is the first step in doing some kind of image – who knows what – for these pages.

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This is how the sketchbook thing works for me – a pinch of this and a handful of that, and then I turn it into a …cake? pie? broccoli casserole? Only time will tell.

OK, that’s it for this week! Thank you for coming along with me.

Art Diary 2018 – Week Ending September 21

 

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

Let’s say hello and do some Art!

Saturday, September 15 – Today was the day to find out if my brainstorm on how to store my clay work so that I could pack for a show without stress was really any good. And I am happy to say it was. At tomorrow’s show I will take two six-foot tables and I chose my inventory to fill that space. I took about 30 tiles, a box of small tiles, and all my current figurines. They fit into these boxes:

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I am thinking I might want to make a little more clay work after all for this fall season. However, in all of my following clay shows I will have no more than an 8-foot table to work with. I probably don’t have to worry. Still, going through my things, I did have a little itch to make some more figurines and tiles… So we will see.

Sunday, September 16 – We spent the day at the Pennridge Gallery of the Arts outdoor show. It takes place along Main Street in Sellersville, PA, about 25 mile from our house. Sellersville is a town that began its existence in the middle of farmlands but now, decades and centuries later, is now being touched by suburbia. The show is part of the town’s efforts to showcase its downtown features.

We arrived a little before eight AM and got into line at the fire house. This show’s set up routine is elaborate but works well. Artists arrive first, pick up space assignments, and proceed into the street a few cars at a time. We unload and move out the cars so that the next group can get in. We are arrayed along one side of the road. Here is how it looked first thing in the morning. Foggy. And loads of very helpful high school volunteers to assist us in unloading and set up.

Crafters arrive later on and go through the same process, setting up on the other side of the street. Meanwhile, we artists are waiting for visits from the judges. The show officially opens at noon but people come early.

Here are some booth set-up images.

And as the day went on and the crafters came in, so did the sun.

Some shots of my set-up in final form:

The day was very hot, humid, and sunny. More like July than September. We had good crowds all day. These shots were taken just as the show opened. Soon the street was filled up.

I had wondered how my clay work would be received – this is the first time the figurines have been shown. The answer is, it went well. I had really good sales.

I also wondered if I had brought the right amount of work for my set-up. Once again, I was very happy with how it looked. Not too crowded, but with a good selection of price ranges and choices.

And, I was thrilled to win a prize – first place in my category, 3D. This is the first time I have ever won an award for my clay work. It was given for this tall figurine.

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Friends stopped by to see us – shout out to John G, Missy, and Bill F, plus art friend/fellow show exhibitor Joan. I was also flattered that one of the judges came back and bought some tiles.

Here is a photo, courtesy of my friend John G, with me and two other award winners – by some strange luck, we were all booth neighbors. On the street, it was Mandy in the sunglasses was doing her first show; then me in the white shirt; and then Barbara in the blue shirt, a veteran like me. Three different mediums: painting, clay, printmaking.

AD Sellersville 9-16-18 #3 John Grob

In shows, you and your booth neighbors become friendly very quickly – it’s just how it works – and if you keep doing shows, you can build up friendships that last for decades. Another thing I like about doing shows!

All in all, a really good day. I was happy and grateful as we headed back home.

Monday, September 17 – Today I unpacked the clay, since I won’t be doing another show for a month.

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I decided I definitely do need to do some clay work – I feel I have plenty for my next show, which is a small one, but I need something more for the November-December run of shows. So I rolled out some clay and cut some shapes. I have some ideas…

but some of them will have to wait until the clay stiffens up. I did make some people today.

I’m giving thought to my population. I sold a lot of puff people (the three-legged ones) this weekend. After some thought, I decided to make a modest number of them, since I have a couple of shows this fall that attract a craft, holiday shopper looking for lower prices. I don’t really like making puff people; I’ve created hundreds of them in the past (the kind that looked like this:)

Puff Creature #2 3-26-12 small

and I don’t want to make them any more. I am thinking I will choose clay shows more judiciously next year, leaning toward more a more art crowd (or I hope to), but for this year, well, I’ll do a few more puff people, yes, I will.

I am hoping to do a few more really tall large women figurines.

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Like the one you see in the above photo, but even a little taller. That’s my goal, after I get this cylinder people group finished up. I do want a variety of sizes for that group, and you might notice I have given some of them modest-sized head wear. I might try some more of that kind of thing.

Tuesday, September 18 – I got to work on all that clay I had rolled out. I knew that I had maybe given myself a lot to do – and I was right. At times I overdo things with my enthusiasm.

Early in the day, I rolled these tall cylinders and set them up so that they could dry a little. They are too wet to stand up on their own right now and cannot be worked.

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After lunch – I had decided to do some sgraffito tiles, so I started the process of coating them with black underglaze. Meanwhile the cylinders were ready to be handled.

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After some time, here is what they became.

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I then put the curvy-shaped pieces together (see the earlier photo above of clay rolled on the table), gave it a bottom, and ended up with a vessel.

I forgot to take pictures of this process, but it is the same as making a box – you slip and score the edges and put them together, with the additional challenges of fitting along the curves. Once the joins were made, I reinforced them with a coil of clay smeared along the interior (like caulking a joint). Then I put the bottom on it, following the same slip score procedure. And then I had a vessel. What to do with it next, I did not know. So I set it aside and did sgraffito tiles.

By now the clay vessel thing was drying up. I decided in the pressure of the moment to do sgraffito on it, too. By now I had lost hope of any inspiration, but I had gone to the trouble to put the vessel together, so…I slapped a couple of coats of black underglaze on it and got to work. I had to move faster than I wanted to because clay was drying fast – so I just carved. The flat sides got scenes and the curvy ones got a simple design.

All right, I think I salvaged this poor thing. I remembered why I like working with tiles so much – doing sgraffito is hard on an upright object. And it is never good to be in a hurry. Anyway, I’ll fire it and then I will glaze the interior, so that it could hold water and be a vase. Whew.

Wednesday, September 19 – I finished up the gesso work on those 18″ x 24″ boards. Now I have a whole group ready to go when I want to paint.

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In the afternoon I got the idea to work on some tiles. I got out four commercially-made 4″ x 4″ terracotta tiles, painted a couple of coats of black underglaze on them, and got to work using the Chinese brush. I wanted to do a version of the sgraffito work, where the background envelops the figure rather than starting from the figure itself. I kind of did that, and kind of did not. I need more practice in thinking this way and planning better. Well, I think they turned out ok and I’ll be trying this again.

Here is a progress set of photos; though I didn’t get photos from the very beginning, you can see some of how things went:

Thursday, September 21 – I worked on tiles again today. This time I applied four different underglaze colors as the first coats. Then I used black to mark out the main figures. Then I did more colors on top.

I am feeling my way, but experimentation is what will teach me. Here are the results.

Friday, September 21 – It’s been a busy week. My body and my creativity needs a rest. I gathered my paintings to have them ready to be packed in the car for tomorrow’s show. And I made a price list. That was pretty much it!

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I think I’ll finish cleaning up from this week’s activities and then sit on the sofa and read.

OK, that’s it for this week! Thank you for coming along with me.

Art Diary 2018 – Week Ending August 31

 

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

Art. Art. Art!

Saturday, August 25 – We spent the day at the Lansdale Festival of the Arts. This is one of the first shows I did when I began my art career, and though it has grown a lot over time, it is still run by the same people in the local parks and rec department, and it is still one of the nicest shows to do that I know.

Weather was absolutely wonderful – clear skies and moderate temperatures. We arrived a little before 8 AM and got into line for receiving our spot – this show has the practice of filling the park as exhibitors arrive. You wait in your car in line for a little while, and then you are shown to your spot, and you get to work setting up – no traffic jams or disturbing near-misses by cars trying to get to an interior location when everyone else has already begun setting up.

I’ll skip the set up shots, because if you’ve seen one set-up (and you have, think back to earlier shows) you’ve pretty much seen them all. Here is my booth when done, with my husband providing scale:

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And here is the interior.

You may remember from last week’s Diary how agitated I was about the amount and type of work I was showing. The vast majority of my paintings are at another exhibit, and I hadn’t thought about how the scheduling would work out for this show. What I had on hand: two large paintings I don’t show much plus three other medium sized ones; a variety of smaller ones that could hang on the walls; and a box full of miscellaneous flat unframed (but on board or masonite) items.

I was pleasantly surprised at how it all worked out in the display. And as far as customer response and sales, ditto. I got some valuable information from this show to aid me in making decisions on how I want to steer the next period of my art making/selling career. I’m trying to decide what kind of work I want to make, and how much, especially given that I already have such a lot of work done right now in the sizes and shapes that I have traditionally thought of as show-worthy.

This event taught me that I can have a different array of work to offer than I had thought, and I am glad about that, because I am more interested in working in smaller sized pieces as part of a series and/or really large things. This medium range I’ve done for so long, I’m less interested in. Hmmm…I see possiblities more clearly now. Interesting.

And guess what. Do you see those green tags under a couple of pieces of my work?

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This show gives out prizes, and the way they do it, you mark the two pieces you want to enter. I figured, the large one, why not? and then the face one next to it, simply because it looked nice with the other one. Well, here’s the result.

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Third prize in my category, Oils, Acrylics, and Mixed Media. Now that was really a surprise. I had not thought I had a chance, with so few bigger items in my booth (even though you choose two pieces, the judges generally tend to look at all your work, and I am sure it influences them).

So I was thrilled. A really nice day all around. And here are a few shots of the show in action, to round out today’s information.

Sunday, August 26 – I gave these small cylinder people and puff people some black underglaze in preparation for color patterns. Here they are, naked.

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And here, with the black.

Monday, August 27 – Secret project.

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Tuesday, August 28 – I spent some time in the beautifully cool basement (we are having a late summer heat wave, that’s why I mention it) working on coloring puff and baby cylinder people.

Wednesday, August 29 – More clay time. I worked on cylinder people today.

I am planning to work on two at a time. That’s a good number for getting both fully done in an afternoon, more or less.

I also did some faces on clay scrap tiles. These are the kind of thing I leave around the world in art drop-offs. (I usually chronicle my art drop-off activities on my blog Sometimes You Get So Confused – go there and search the category Art Drops In).

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After I finished with the clay, I decided to work on an updo of some small paintings I did a while back. I decided to transform them into my sort of cartoony style. As they were, I felt they looked a little bla.

So here is where I got to with them on this day. I’ll post better pictures of them in their own post pretty soon.

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Friday, August 31 – This afternoon I will be picking up my paintings and clay work from the gallery exhibit that I had July through August. I’ll post information about that trip for next week. Otherwise, I’m getting ready to do a big meeting with myself about what I’ve got going, art-wise, and see if I can’t work up a list to re-orient myself and prioritize.

Every so often I go through this process, for art and for poetry, and I find it really helpful. To start things off, I cleaned up my work area in the studio and arranged the current odds and ends so that I can see them. I do better when I have tangible items to view and then can make a list much more easily.

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This assortment is not everything going on, but it’s the ones I’ve got going right now. I’ll show you photos and make comments.

And here are some more ideas…I’ve been saving rejects and odds and ends of scrap paper in a box. I have accumulated a lot of it and I want to start making some postcards/ATC’s with all these items.

This spattered notebook page represents the page facing an image in my current Large Sketchbook. I have finished all the pages in this book and this was the last one to be spattered. Now my next move is to write poems or stories or whatever to go with the images and insert them in the book. This will take some time and will be part of my Poetry Marathon work.

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I also plan to review my paintings when I get them home from the exhibit and decide how I want to invest my painting time this winter (as I mentioned my thoughts earlier in this posts, when I discussed the art show last weekend).

And I have ongoing clay work to do. I need to make a separate list of projects there, but I know it will include tiles, pictorial, abstract, and sgraffito; I also want to think about some sculptures, too.

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Puffs from the front…

I plan to put some time in this weekend in doing this work. Now it is time for me to load the car with boxes and bags to bring home my paintings!

OK, that’s it for this week! Thank you for coming along with me.

Art Diary 2018 – Week Ending August 24

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.


Art!

Saturday, August 18 – As you know I’ve been working on illustrations for my Minuscule book, using a Chinese brush and India ink. When I really make a mess of a picture, I wipe it out with a few swashes of the brush, loaded with ink. Then I have really nice black background papers to draw on with white or colored gel pens. They are perfect for the TV-watching kind of art-making.

I also do the same thing with acrylic inks, if I happen to be using them. Depending on the color of the ink I’ll use a pale or a dark pen.

Here are a few examples.

Here are some peeks at the images I drew for the book.

Sunday, August 19 – More TV time in the evening and more black/white design things. Oh, some green, too.

Monday, August 20 – I did the firing of my clay pieces – the weather has moderated and it was cool enough to run the kiln. You may remember I loaded it a week or so ago.

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I happened to be passing through the garage later in the day and the kiln shows its temperature as being significantly higher –

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It tops out at about 1828 degrees F. This particular firing took just short of nine hours, typical for a bisque load (because the kiln brings up the temperature slowly so as to bake out moisture in the clay very gradually, making sure that it doesn’t turn to steam instead and explode the item).

I worked on more illustrations for my future Minuscule book:

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and as always there are leftovers. I have accumulated quite a collection at this point, a nice box-full.

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I had a couple more of those black/white ink doodle things, too, from last night.

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Finally, I think I’ve finished up these 6″ x 6″ cartoony type mixed media pieces.

Wednesday, August 22 – Today I faced a task I’ve known was coming for months, and I’ve been avoiding thinking about it. What is this dreaded event? Well, I’ll be participating in the Lansdale Festival of the Arts on Saturday, and…almost every painting I have is hanging in my exhibit that opened in July. I pick them up next Thursday, but that won’t help me this weekend.

I knew this situation was coming and I made only vague plans. I just figured, well, I’ll get an idea one way or another.

I have two very large paintings plus three medium sized ones here at home. And I’ve got a modest array of small paintings that can also be hung.

What I have decided to do, to fill out the booth this one time,  is to bring out my array of small paintings that I don’t usually show – the ones I did for fun, or they have no frames, etc. etc. I took the box-full out into the garage and laid them out on a table to see what I have.

I plan to take two tables and set the paintings on them. I have small and large wire stands, which I usually use for clay work.

I have two ancient flip bins, which I used to use a lot when I made collage work – I often sold items matted but unframed, and those went into these bins. Maybe some of these paintings can fit into one of these.

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I think I can put the tiny ATC-sized paintings into an old drawer that I sometimes use as a table bin. Anything else, I can lay flat on the table. I’m hoping my display will look coherent and neat.

I re-packed the paintings and took them inside to wait with the other large paintings for Friday, when we load the car.

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You might say, why can’t you take whatever you want to the show? And/or, why didn’t you take your clay work?

First question, it is a juried show, and I juried in with acrylic paintings, so, that’s what I have to show.

Second question, you are right, I could have juried in with clay this year, and looking at what I have on hand right now, I would agree. But, I had to enter this show in March, I think, and at that time, I was more concerned with making enough work for my exhibit. See, I had purposely run down my paintings inventory over the last couple of years and suddenly – I needed work to show.

I had done the same thing for clay. My stock was quite low, tiles and sculptures. But I had no deadline for clay work, and additionally, clay takes a lot of lead time given the multiple steps in the creation process. I was not sure I could get enough clay work done at the same time as doing more paintings.

I also was at that time evaluating how many shows and events I wanted to be producing clay items for. I did not want to build up excess clay work – especially when I felt more sure of my plans for my paintings.

Now in retrospect and with some of this year’s events under my belt, I have decided to look for more shows for my clay, and keep my painting schedule stable or even reduce a couple of shows. Showing clay at Lansdale would have worked out fine, as it turns out. But – let’s look at it this way – some paintings that never get seen will now be the stars of my little show.

Friday, August 24 – I did a few odds and ends this afternoon before we pack up the car for tomorrow’s show. I painted some papers that I might use for my secret project:

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And then I went to the basement to start the process of coloring the clay work I took out of the kiln a few days ago. You may remember this process from earlier sessions. I plan to do the wild color patterns all over the cylinder figures and the puff people, but first I need to prepare their faces and give them an undercoat of underglaze. Here we go.

I brought the figures into the laundry room to work on, because I need to use water from the sink there.

First, I colored their faces with Velvet underglaze, Jet Black.

Then I took a wet rag and, holding the figure under a trickle of water, I rubbed away the black color from the raised areas – it stays in the indentations. I then went back and did the same thing for the grooved areas at the bases of the cylinder figures. These areas are created when I make the join between the figure’s body and its base with a serrated tool. I could smooth these joins out and sometimes I do, but this session, I left them.

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The faces are done and I am ready to wash off the black color at the bottom.

Here are the final results.

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I then took them out to my work table and proceeded to give the cylinder figures a coat of Velvet underglaze Jet Black. This base will form the underlying color for when I put on the colorful designs.

I will do the smaller figures another day. Until then, they will wait over on the other table.

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All right, that’s it for this week, except for packing the car, as I mentioned earlier, for tomorrow’s show.

See you next week! Thanks for following along with me.

Art Diary 2018 – Week Ending July 13

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

Art! This week is devoted to shows and gallery events – the public side of my art.

Friday, July 6 – Tinicum Arts Festival set up time. The forecast was for rain and clouds…but it all worked out. I’ll give a short tour of this pre-show day.

Now, unlike most shows, this one offers a set-up time the day before, and most people take advantage of it. It’s like seeing the circus put itself together, I have always thought.

We arrived after lunch and were directed to our assigned area. Unlike most shows, artists are not assigned a specific spot but instead an area, and can choose any spot within the section. I think of it as a land grab kind of thing. Naturally there is some competition for spots (people have their favorites, and I am no different) but it all works out.

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We are in a section in a row of trees kind of out in the open. I like the ease of getting the car in and out and it’s less crowded during the show, too; the shoppers don’t have to push through the area. They don’t skip it, either – since there is an admission charge, people see every part of the show and most people make a day of it, given the array of things to do. Everyone eventually goes past every booth.

Me, I don’t like feeling pressed in, so our spacious section is appealing to me for that reason. Our tent, seen through the neighbor’s structure, is right above the red arrow.

Other areas of the show are under deeper tree-cover:

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Since the weather was iffy, some people dropped in just to snag a space and then will set up tomorrow.

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You wonder why a ladder and a blue tarp-pile are here? Well, they are saving the spots. I’m telling you, you get in here, you pick a spot, you stand in it and don’t leave until your husband drives your car through the check-in gate on the other side of the park (yes, I admit I get out of the car and go through the fence to grab my spot before picking up my show packet, and I’ve been doing it for years with success…thanks to my wingman and partner in crime, we’ve got the routine down).

All right. We got a nice spot, next to some show friends, and we spent some time catching up, then got to work. The rain had stopped. We put up the tent, complete with sides. Please forgive the ghostly blurry photo:

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We then set up the racks and left some other items. We will complete the set-up tomorrow with the art. I do not leave the art in the tent overnight, ever.

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Meanwhile, other things are going on. They set up the flags while we were there:

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The Tohickon Garden Club booth is ready:

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My friend Pam has her booth right behind the gardeners. I stopped to talk with her for a little while. Then I went back to our booth to get ready to leave, passing the stage, closed up now, but tomorrow they will open it and poof! a stage:

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and I put some effort into avoiding getting caught up in the emergency dead tree limb removal:

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I was kind of wondering why they didn’t do that work last week…OK, finished with today’s set-up, we took off for home – our plan being to stop at the grocery store on the way to pick up our provisions for the weekend, food-wise. Experience has taught us that bringing your own food to a show is always better than taking a chance on what the fair might offer.

Saturday, July 7 – By the way, this day is my husband’s birthday. All day! It was a beautiful clear and cool day, brilliantly sunny.

We arrived and began to put the artwork up in the tent.

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A view of our section of the fair, plus a backstage look – here is where we keep all the various boxes and so on during the show.

My friend Helena, a wonderful pastel artist, was the featured demonstrating artist for the fair. Her completed plein air pastel view of the barn was donated to the silent auction and will be the image used on the show postcard next year. I went over to talk to her and watch her at work. The arrow points to where she was situated.

The fair got busy. Here is a quick overview of what was happening…

Shopping:

The used book tent:

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Yard sale:

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People eating lunch and listening to the music. (Remember, I told you the stage would appear out of that trailer…)

The day went along fine, and then it was time to take down the artwork and close up for the night.

I always take my artwork home at night, as I said earlier. Other people leave their displays as are. Most tents are zipped up tight, like these – mine looked just like them.

Sunday, July 8 – The day was pretty much a repeat of the day before, weather-wise – perfect. I put the art back up in the booth, moving the pieces around – I don’t like to look at the same display two days in a row.

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In the afternoon I had time to visit the indoor exhibit, which is juried separately from the festival and also awards prizes. My friend Alison had won second place for her piece, entered in the acrylics division. You see it in the middle photo.

Here is a view of our tent from the barn – the arrow marks the spot:

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I took a couple of pictures from the back of the barn over the music/food area, including this peek into the backstage work of one of the food tents:

I walked around a little bit more. The purpose of the fair is to raise money for the Tinicum Civic Association which supports the park and several other sites nearby. These trees were planted with proceeds of one of the previous years’ takings:

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I didn’t eat any fair food but I toured the area. Plenty to choose from, and by the way, the Italian place is the one that appeared in the earlier photo from the barn.

I heard an announcement about painting pigs, pigs that paint, I mean, and I went over to check them out. They were not painting at the time though you could buy their work. The set-up was to benefit a pig rescue group (people who get pigs as pets when they are tiny and then are dismayed when they grow up…big… and don’t want them anymore – this group takes them and re-homes them).

Anyway, the pigs were darn cute. (They are not pink – the sun coming through the red tent is doing that to them, but I like the effect…)

The day wound down to a close. We took everything down and left our little patch of grass behind.

Overall, the show was a success for me. My sales were fine, not the best, but good. The crowd included real art lookers and buyers, and my work got a nice amount of attention. Plus, I really enjoy looking around this fair. It’s a big draw for the area – Tinicum is kind of out in the country, but accessible from more populated areas, if you know what I mean, and there are not a lot of competing activities in the immediate vicinity. People come and spend the whole day.

I also get a lot of visitors at this show, which makes it a lot of fun. Shout out to Mary Ellen and Guy, my brother-in-law and sister-in-law; Missy, John G, Steve, Bill, and Stephanie and her husband (whose name is escaping me at the moment, I apologize); I also got to see my artist friends Pam and Aidan.

Wednesday, July 11 – On Monday I put some time into cleaning paintings (they get dusty at outdoor shows), inventorying, and packing up the paintings I am taking to my exhibit at the Gallery at the JCC in Allentown, PA.

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On Tuesday, my husband and I drove the paintings to the gallery and left them to be hung the next day. I also met Catherine Debbage, my exhibit-mate, who does sculpture. And on Wednesday, the paintings were set into place – I got a phone call telling me that all is well and everything is on the wall.

I was asked to bring some of my clay tiles as well, a late addition! So I’ll get an assortment together tonight and set them up before the exhibit. Since they will be arranged on a shelf or in a case, it’s no work to do this and I am glad to give my clay work some exposure too.

Thursday, July 12 – Today is my long-awaited exhibit at the Gallery at the JCC. As background, a year ago I received an invitation to exhibit my work here. I prepared for it over the winter, working to gather a good group of paintings, and now in summer, the day has arrived.


My husband and I drove to Allentown and ate an early dinner. We still had some time, so we took a short walk in Trexler Park, not far from the JCC. This park is quiet, though it’s surrounded by busy roads, and a good calming place to rest a bit.

There is a small lake near the entrance.

We leaned on the railing, near these ducks all quietly sitting on the ledge. The whole group of us, peaceful.

We marveled at the colors the sun brought out in the feathers of the birds and at the reflections in the water.

All right. Now it was time for the exhibit. I took pictures before I got too busy with things. My husband took the others (and I thank him here, because he is not familiar with my camera). In any case, at least I can give you a feel for the evening.

As soon as I walked in the organizer told me, Someone sent you flowers! Guess who – my husband. I was so touched I had to cry a little. It really made me feel encouraged the whole night to see them.

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Let me try to show you how things looked in the two rooms where my work was presented.

Music, too. And something nice about it for me – I knew one of the two musicians, Mickey, personally, once again through art connections, but I had never heard him play. The duo is called Just So and now I can say through personal experience that they are great. And, I want to thank Mickey – he emailed me earlier in the week to ask me if I had any requests. I looked at their list and I did – Roy Orbison. Three Orbison selections for me on this night, and thank you!

Here I am with some friends, Susan and Geoff:

and with Adrian:

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The exhibit reception ended at 8 PM, but the art will be in place through 8/31/18. I hope if you are in Allentown, PA, you’ll stop in – the gallery is open whenever the JCC is open, unless there is someone using the room.

I went home very happy. It is affirming for me to see my art in this kind of setting, and I want to thank everyone on the gallery committee for how wonderfully it all went and how nicely they presented my work. And I also am very grateful for everyone who attended, who encouraged me, and who has helped me along my art road.

Events like this remind you to step back and appreciate your own work – a good thing, because it is so easy to focus on where you fall short and to overlook your accomplishments. They also remind you of how many people contribute to your life and helping you accomplish your goals, and of the thanks they deserve. And last, at least for me, it reminds me that art is a connecting force, bringing people together, a glue holding my life and my spirit together.

Friday, July 13 – Now I return to my inner-focused art life – my schedule of shows and events takes a break until late August. I turn my attention back to my studio and the projects and ideas I have progress or in anticipation. I decided to run the kiln today – it’s been loaded and waiting.

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I’m ready to get to work on some new projects!

See you next week! Thanks for following along with me.

Art Diary 2018 – Week Ending June 22

 

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

Another Art week begins, hello!

Friday, June 15 (additional) – After I closed out last week’s Diary I did a little work on the clay figure I was working on – the tall cylinder. It had dried enough to stand up on its own.

I gave it a bottom – I set the cylinder on a circle of clay and used my serrated rib tool to scrape up the fresh clay. I left some of the marks.

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I added a strut across the top to hold up the head, and then I added a top, same as I did for the bottom.

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Then I gave her a neck and head and bosom. Here she is, with her shelf-mate looking at her, askance. Already life has become interesting for her, I guess…

Saturday, June 16 – We spent the day at Art-in-the-Park in West Park, Allentown, PA. I’ll start right off by saying there is no sadness to report about this show. I had a good day in all sorts of ways – reception of my work, sales, and I won 3rd prize in my category, Acrylics and Oils. So you can look forward to a pleasant account. I just wanted to warn you!

We stopped at our usual Wawa for gas and coffee. Shout out to my friend Diane here, she has moved to North Carolina, but we did shows together for years, and several times we met (by chance) at this location on the way to events up PA Route 309. Coffee calls out to all of us.

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We arrived and the park was still quiet. The weather was just perfect, ten of ten. And, we got a parking spot right next to the park, not only for unloading, but we could keep the car there all day. This is a real advantage – parking around the park is pretty much non-existent.

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We did our usual set-up thing. Space sizes are generous and I was able to use the outside of the display for artwork.

Then the show got into action.

Did you see the giant trunk of that sycamore tree to the right side of the first photo? That tree is magnificent, right across from our booth. Remember, this park is an arboretum and trees matter here.

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I took a few minutes to go over to the bandstand and watch some of the ballet performances. These two girls were doing a jazz version of a dance from the Nutcracker. Yes, they were.

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Water fountain, original fixture of this 100+ year old park. It still works.

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I have participated in this show for 20+ years and it has always been a good one for me. Contemporary art is appreciated here, in fact is more popular than traditional and more realistic pieces, and in my experience it always has been, so for me, the crowd is interested and involved. I had many good conversations about my work and I was very happy that a couple of my more abstract pieces were especially noticed – I had wondered if there was anything to them or had I just had a nice time painting! I am glad others were attracted to them.

I also saw many people here that I know – and remember, I live about an hour away, so normally I would not expect so much personal attention. However, I have exhibited in Allentown for 20 years and many people have been very good to me in all kinds of ways here.

I want to say thank you to everyone, and I’ll mention a few – Ann, Hannah,and Adam; Adrian, Missy, Carol, Jodi, Olga and her daughter, Rob, Kris from the Baum School, Mickey and Sandy, and I’m pretty sure I’m leaving someone out. Do I sound like I’m auditioning for an Academy Award? Anyway, you can see, my art and I felt very appreciated.

Back to the show. In the afternoon I saw herds of people wandering the park, eyes glued to phones.

Guess what, it was a Pokemon Go event.

So the day wound down and we packed up to go home. I was grateful for how nicely this show went this year.

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Monday, June 18 – I decided to work in the pleasantly cool basement today and do some clay. I rolled out some slabs of white low-fire clay.

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This clay is part of my recently-acquired stash. When I went to work with it, I realized that I needed to make some slip to match it – my previous white clay was from a different manufacturer and was browner in tone. You say, what is slip? And I’ll tell you – it is a more liquid version of the clay – I put some bits in a jar, add some water, and shake it up to get it to break down into a gloppy consistency (which can take some time).

Slip is used as “glue” when two pieces of clay are joined. The mantra is, slip and score – make grooves in the joining areas and then smear some slip over it. Or vice versa, doesn’t really matter, just that you do it! In this way the pieces will intermesh. Just sticking a couple of pieces of clay together is not enough for a bond that will survive a firing.

All right, back to work. I made this little guy:

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We call him a puff person. I’ve made hundreds of them in the past, and they looked like this:

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Puff Creature #2 3-26-12 small

You can see I finished them with underglaze washed over a heavily-textured surface. With this new creature, I want to try a smooth surface and color him all over as I’ve been doing with figurines. I’ll make some more and see how it goes.

I also made these small women figures from slabs @ 2″ x 4″ or so (not counting their heads, I made those separately):

I plan to give them colored outfits too. I left their bottoms open, with no covering base. I might use these for art giveaways and if I do, I want to put a message inside them instructing the finder to go ahead and take it, it’s ok. That’s what I did with the earlier small figurines I gave away, who looked like this:

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Inquisitive ladies. 2014.

 

I also made some tiles, which I didn’t photo, as I think you’ve seen plenty of freshly-cut tiles!

Tuesday, June 19 – Do you remember the Ogre Baby paintings?

Yes, me too. I have never quite felt they were finished. Well, when I was going through items for the last show I did, I set them aside.

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Today I started to remodel them. Here we are so far:

All right, we’ll see how it goes. So far I’ve used India ink, acrylic inks, crayons, and oil pastels. A free-for-all, all right.

Friday, June 22 – This week has been busier than I thought when it started out. Not as much art time as I had thought. Well, it goes along as it goes.

This morning I went down to the basement and cleaned up the edges of  tiles I did earlier in the week – by rubbing the edges with a wet sponge I smooth the edges and get rid of ugly transitions and sharp edges. While I was there I photographed the white clay slips I mentioned earlier in the week – the old one is on the left, the new one on the right. You can see the difference in the raw clay color and yet they both fire white.

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Here’s a photo of those little women figures, now almost dry. Notice how the color of the clay has changed as it dries.

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I also spent some time painting edges on acrylic paintings, back upstairs in the studio. I am getting close to the end of this task. Good. I also sprayed the ogre babies with a fixative spray out in the garage (very strong odor, yes) and repainted their edges – you can see them in the background.

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And I did three more illustrations for my Minuscule book.

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Then I figured I’d done enough. I’m going to go into the studio and clean things up to the background accompaniment of my favorite radio show, Funky Friday on WXPN Philadelphia. See you later!

OK, that’s it for this week! Thank you for coming along with me.

Art Diary 2018 – Week Ending June 15

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

Happy Art Week to all.

Saturday, June 9 – After a walk in Norristown Farm Park, my husband and I stopped by the Ceramic Shop in Norristown to pick up an order I had placed earlier in the week.

I am very lucky to have this resource so close to my house – clay supply outlets are not plentiful and shipping is very expensive for clay (for example, I only bought 100 pounds, and shipping of $60 was more than the clay itself cost). Even better for me, this store used to be located in Philadelphia in a warehouse-type spot on one of those smallish city streets, and no parking. They moved here about a year or so ago and I was thrilled.

We parked in the lot:

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and went inside.

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You can buy just about any clay-related item here, from kilns to wheels to clay to tools to glazes. I have learned it is better to order on the internet and then go in a few days later to pick up – your order is all ready for you to take right away. I will show you some of the things clay people find in this store:

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Tools galore.

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This is the Velvet underglaze display, these being the products I use. Notice the sample board above the jars. It shows each color, fired at the correct range for the product, and how it will look with or without glaze. This type of display is found with each coloring product so that you can get an idea of what it will look like when fired. It’s especially necessary with glazes, as how they look in the jar is not how they will look when fired. At all.

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Underglaze pencils. They “write” on the clay like a colored pencil (you can see the samples on the mugs holding the pencils). I have used a similar thing, underglaze pastels, in my work, and I like the crayony look they offer.

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Whisks – Or you could just get the one out of your kitchen…

These  whisks can be used for stirring large buckets of glaze mixture. In large production studios, glazes are often mixed from powders and chemicals with water added. Production work requires large quantities of glaze so it’s more economical to do this, plus it ensures color matching for all items glazed from a particular session.

A bucket-load of glaze is literally what is needed – production work is usually dipped in the glaze rather than brushed on. Saves time and ensures a very even coat of glaze.

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Kiln furniture. These items are all used for glazed items that have a glaze coat on the bottom or otherwise can’t be set on the kiln shelf. Remember, a glazed piece will glue itself permanently to a kiln shelf if any glaze is on its bottom, ruining the piece and the shelf. These furnitures are set on the shelf with the nails up – the glazed piece rests on the little pinpoints of the nails and does not stick.

I wandered around for a while and treated myself to a couple of small jars of underglaze – new colors to try. I never can resist. When I had paid for them, we drove around to the street side of the building and they brought out our clay to us.

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I had chosen a couple of tile-cutting tools I carried out separately on my own. I’ll show them later on when I try them out in a new session of clay work.

Sunday, June 10 – Calendar note – I graduated from high school 42 years ago today. Just saying.

Last night and today I spent some time working on a project I mentioned some weeks back – I want to make a print book of my Minuscule story/poem combinations (read an example here) and illustrate it. The writing part of the endeavor moves along apace. I think I need about 100 entries to make a nice book and I’m maybe halfway there.

Illustrating a book is not new to me, but – I’ve always done the pictures first and fit the words to them later. This is a different slant – words first, pictures second. I have been wondering if I can do it. I decided to take the plunge right now and start to find out.

I printed out the writing done so far. I bought paper. I bought India ink (my idea is to do  B/W pictures, very simple, using the ink and my Chinese brushes).

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I got to work. Now, I am a newborn baby as far as this kind of thing goes. I have no idea how to illustrate anything. Be literal? Allude to some element of the story? Sketch something out first? Remember, these stories are only 2 sentences long. Imagine if I had a full-length work to illustrate!

All right. I decided to read over each entry and whatever came to me, that is what I would do.

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All right, after some false starts, in fact, many false starts, I got more of an idea of how to proceed. For me, it’s best to just read – close my eyes and imagine -draw. That’s it.

OK. I made a good start.

I feel sure I will be replacing or amending some of these images. Well, that is fine. I can see that by the end of this project I will be much more proficient and confident in my drawing skills as well as my ability to illustrate something. Plus, it was fun to work in this manner.

Some of the failures, well, I cut out parts that I liked. I am sure they will come in handy for some other project down the line.

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Monday, June 11 – I spent a lot of the day doing poetry work, so I had just about an hour to fit in some art time. I had this half-hearted attempt at a tree painting (6″ x 6″) that was really more of an excuse to use up paint from earlier projects.

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Suddenly I saw a man in my tree.

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And another one in that ATC. OK, now I’m going somewhere. To be continued…

I also did a couple of drawings for my Minuscule book project. I’ll say one thing – I anticipate using up a lot of paper. I try to remember – relax, and just work quickly and without thought. Secondly, not to try to be realistic in my depictions – it’s not in my nature. And last, the brush has its way of doing things, don’t fight it.

I did a couple of new images (one with two different versions; I’ll pick one later on) and re-did one from the other day I was not satisfied with. I have the feeling there will be many re-dos but you know, I don’t mind it. I’m in no hurry. And setting myself this kind of assignment, to illustrate this book, well, it will build my skills.

Wednesday, June 13 – Today I thought I’d get into some clay – just sort of play around with it. I got out my 25 pounds of terracotta:

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It’s very fresh and wet. I rolled out a couple of slabs.

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I had only a short time before I was going to leave the house, so I made a few cylinders, wrapping a slab around and joining the edges.

I worked on a figurine or two.

Then I loosely covered the works with plastic (dry-cleaning plastic, the workhouse material of clay artists everywhere) and went off to the gym. In the summer, my basement is very cool and while not damp, it dries items slowly (in winter, the heater and the drier air make a difference in this room). I probably did not need the plastic but it is better to be safe. You cannot un-dry clay.

In the afternoon, I refined my earlier pieces and added some more. Individual shots:

and a group shot.

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Notice in the background of the previous photo the clay cylinder with a dowel running through it supported at each end. I have set this contraption up so that the cylinder can semi-hang from the dowel (it just touches the table) and maintain a more rounded shape until it stiffens a little. I can’t make anything with it until it can stand up on its own.

OK. I left these guys to their own devices and I got out new tools I bought on Saturday.

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What are they? They are tile cutters. You roll them through the slab, then cross the slab, to make the tiles. I read up on their use before I tried them. Interesting thing – you can use them on the clay, straight, to make tiles with sharp angled sides, or you can roll over plastic to make rounded edges. I thought I’d try the plastic option.

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I got some nice results right off the bat. I learned a couple of things. One, things work better when the clay is just not so fresh – let it dry a little and firm up. This reduces the distortion that can happen when the criss-crossing is done.

Two, move slowly and make sure you follow the previous track carefully so as not to double-cut an edge. Three, make sure you take off at a 90-degree angle when you criss-cross, to make certain of square tiles.

I’ll let these firm up a little and tap their edges to re-square them, but I really like the look of them.

Interesting note – if you roll the rollers directly on the clay, it sticks. The recommended treatment is cooking spray on the roller. I will try that next time.

Once I finished up with clay, I went back to painting black edges on paintings…

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Friday, June 15 – This morning I set out all my paintings for review, for two reasons. One, I’ll be at a show this weekend, and I needed to decide which ones to take.

The show will be held in a park and my booth will have all sides available for display, but the car can only fit so much work. So, I had to make some decisions.

Second, I needed to make an inventory of paintings that I will take to my upcoming gallery exhibit in July so that the organizers can make price cards and so on. Not all my work will be hanging but this way, they can make choices what to display without saying – Oh no, we have no information for this piece so it sits out the game!

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My clay work is drying very slowly in the basement. I plan to work on it a little, if time permits. In that case I will show what happens in next week’s Diary. I thought I’d get this one done early today because I have a variety of non-art things to get out of the way. So that’s it for this week!

See you next week! Thanks for following along with me.

Art Diary 2018 – Week Ending June 8

 

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

Saturday, June 2 – We spent the day at the Saucon Creek Arts Festival. I’ll show you the show process for an outdoor show, and at the end of today’s entry, you’ll know how things go from the exhibitor’s point of view.

First we stop on the way to get coffee. Always.

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We arrived at the show at our pre-assigned set-up time. Since we’re at the front of the show, we were one of the last ones to arrive. The black arrow shows my location at Space #4.

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First thing we unloaded the car, setting up the tent very quickly and putting our things beneath it. Now, remember the forecast was for rain? No, not a bit of it (not that we were sorry, believe me, setting up in the rain wears down your mood very quickly). Still, it’s best to get the tent up first if possible.

All around us people are setting up.

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We progressed through set-up. Once the racks are up it gets easier. You see my husband attaching the weights to the tent legs. Weights are a MUST. We have two sets, both made of PVC pipe filled with concrete (we made them). We are using the lighter set today – no real wind is anticipated and we are not leaving the tent up overnight. We have bigger, heavier ones for bad weather/overnight, plus, we also stake into the ground for overnights, if we’re in a place where we can do that.

Now you see the finished tent all set up. If you look around the top edge of the tent, you can see rolls of fabric. These are detachable sides. If needed, we can roll them down and zip along the sides to enclose the tent. Since the forecast was for rain, we set them up. We always use the sides when going to a show where we leave the tent up overnight, but not always, when we’re on site just for a few hours.

I also want to mention that my planning paid off. I fit every painting into the display that I had selected. No extras. Well, I’m a little proud of that.

Here are some views of the show. The day turned out to be oppressively hot and humid, the kind where you sweat just sitting still. Very different from the rain we had expected.

We did get a couple of showers, enough to roll down the sides for a short while. On the whole, though, the weather held, and that was especially appreciated during takedown (another time you just don’t want any problems). We are very fast at disassembling the booth – we have done it hundreds of times and we know our roles.

We were on our way home less than one hour after the show closed. As far as things went at the event, it was a very well-organized and easy event to do. Attendance was satisfactory but sales were almost non-existent, for all of us exhibitors.

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I could go on and on how shows have changed over the past 15 years; it’s been a source of discussion among the exhibitors I’ve known and showed with for a couple of decades for some time now. We all remember typical shows of the past, where crowd interest, willingness to buy original art and craft, and a larger variety and number of patrons existed.

Today, more and more, people view the artists’ exhibits as just another part of a day out, being willing to browse, but much less often do I interact with people who have that spark of interest or understanding or curiosity about the art or artist that leads to conversations, much less sales.

I don’t have any solid explanation for the changes and I won’t get into my speculations. I do see that it’s less and less satisfying to exhibit, and I also see that younger people don’t seem to be taking it up (at this show, I would say the average exhibitor age was about 55 or so).

I am sad about this trend. I’ve found a lot of meaning in showing my work; I’ve met so many people and talked about all kinds of art ideas. I’ve made life-long friends in this world and even among show people I’ve just met, well, we always can find plenty in common to talk about, wherever we are. I’ve also earned respect for my work from buyers and from fellow artists, and that means the world to me. I hate to let go of this, and I am sorry if younger people won’t be able to experience it.

Well, anyway. I am pretty sure I will not do this show again. I’ve given it three years to develop, and results have been thin. All right, we live and learn and move with the times. That’s requiring some thinking, and some letting go, for me.

For 20+ years I have focused on making art with the idea that, though I emphasized my personal vision and expression, still, I would exhibit it and sell it.

Now, I see myself moving into a new phase of art-making where selling is not a factor. This year I realize I am evaluating shows, finally discarding the non-productive ones, and I am facing filling that gap with some kind of way of doing things differently. It intimidates me and yet it is possibly liberating. Time will show me the way.

Sunday, June 3– I unfolded the tent sides and laid them out to dry out in the basement. Even a little moisture makes them mildew. I’ll leave them here for a few days.

AD 6-3 #1

I got my husband to sand down a couple more paintings I wasn’t happy with. Do you remember this one?

Where It Is Safe 24 x 36 2-18006

I struggled over it when I was painting it. I’ve looked at it for a couple of weeks now at shows and – I am not happy. It does not reflect a good feeling to me, and – I felt that I was just reworking an old idea. So, I worked on it on Sunday afternoon – gessoed it black, ironed clothes, came back, and did this:

Nestlings and Egg 24 x 36 6-18

So far I am calling it “Nestlings and Egg” (24″ x 36″). I like it. Let’s push away the “should” of deciding what to paint (I mean to follow my evolving feelings, as I said in yesterday’s entry) and I FEEL LIKE PAINTING BIG COLORS AND SHAPES.

Capital letters to remind myself. All right. I also worked on this little one, another rehab, this one 12″ x 16″:

It may need more. Maybe not. We’ll see. So far it is called “Eggs Outside”.

Eggs Outside 12 x 16 6-18

Monday, June 4 – Well, I’m just trying to settle down and it’s not coming to me yet. I’m running around the house doing housework and chores and getting things all tangled up. This mood spilled over into painting. The poor little eggs painting from yesterday,  well, I worked on it enough to make it – hideous. So I blacked it out again and this afternoon tried to paint calmly and:

OK, now I am happier.

Forgot to show these last week. A couple more pages of figure drawing with the India ink or acrylic inks, and Chinese brush. The idea was working with an initial shape, like a C curve, and making a figure to fit it.

And, I got this mat for the studio. I am having a lot of trouble with achilles tendinitis and arthritis in my feet and…this mat is here to help.

AD 6-5 #3

Tuesday, June 5 – I’m still scattered but hanging in there. Today I started on a boring but necessary task. I need to clean and repaint the black edges of my paintings. Clean them, because show life is a hard life, and they get dusty. And repaint the edges because…I am always in a hurry to do this task and I don’t do it well. And, show life is a hard life and the edges really can get banged up.

AD 6-5 #c

I’m going to do a few a day and take my time. This way, they will be done when my exhibit comes in July.

AD 6-5 #b

Here’s an update on the Nestlings and Egg painting:

Nestlings and Egg 24 x 36 6-18

and then I worked on it later in the day:

and I worked some more on these weird cartoon-like things – they are acrylics, inks, crayon, and colored pencil on 6″ x 6″ 1/8″ board that I gessoed. I had a nice time with these, a kind of off the cuff improv.

AD 6-5 #A

Friday, June 8 – I did some more black edge-painting. And I did a little work on this last page in my current Large Artist Sketchbook. I had colored it with markers the other night and I added a little collage on Wednesday. Today I finished it up and put some paint on the inside cover of the book (this “last” page is actually the first page, that I had skipped when I started the book, why, I cannot tell you).

My next step will be to spatter paint the blank pages, one by one (the artwork is done only on one side of each page). Then I’ll turn it over to the Poetry Marathon Claudia and see what she does to the book.

I got out some recycled cardboard pre-cuts and started putting some paint on them. This is the first step in the creation of postcards and ATC’s – it’s nice to have a starting point all laid out for future projects.

Oh, I forgot. I glued on the poetry that I had created a couple of weeks ago for these little cards. That was also a Poetry Marathon activity. Now I don’t know what I will do with them, but they are nice-looking, I think.

AD 6-8-18001

OK, that’s it for this week! Thank you for coming along with me.