Tag Archives: faces

People Caught Unaware of My Scrutiny Part 3

Here are rest of the people paintings, acrylics, 12″ x 9″, on wood panels, done in January 2018. You might remember seeing some of them in progress in the Art Diary during that month.

 

People Caught Unaware of My Scrutiny Part 2

Here are more people paintings, each done in acrylics, 12″ x 9″, on wood panels, done in January 2018. You might remember seeing some of them in progress in the Art Diary during that month.

 

People Caught Unaware of My Scrutiny Part 1

Here are four people paintings, each done in acrylics, 12″ x 9″, on wood panels, done in November, 2017. I have a crowd of these to show – these are the first ones to step out into public.

Let’s Talk

Artist trading cards, various dates, collage.

 

Moon Moon Moon Moon

Well, here are some more moon tiles.

From December, 2017.

Art Diary 2018 – Week Ending January 5

 

Art Diary. A weekly wrap-up of art activities. For earlier posts, search under the category Art Diary.

It’s been hectic – the holiday, a snowstorm. And remember I go to a Day Trip Poetry Marathon session each week – this week I did it on Wednesday.

This week I did a lot of work on limited topics. On January 1, I devoted the afternoon to collage work. I have a big project I’m working on and I wanted to make some progress.

On the same day, I also glazed the “artifact” tiles I mentioned in the previous Art Diary post. I put three coats of the breaking glaze on each tile, letting each coat dry before I added another one. It’s the kind of thing where you run in, slap on some glaze, and then come back later to do it again.

The glaze is the pale color you see. It will turn turquoise/shiny when fired. Glaze is different from underglaze in that underglazes remain the color you see coming out of the container, while glaze colors have no relation to the finished result when you apply them. It is obviously easier to “paint” with the underglazes, because you can see what things will look like.

On January 4, snowstorm day, I spent the afternoon finishing up the handmade tiles I had previously bisque-fired. Here you can see all the tiles I currently have ready for the kiln.

Now I am going to work on a case of 4″ x 4″ terracotta commercially-made tiles that I ordered a while back. I have 80 tiles to work on. I’ve used these before and I really like them – they are thick, smooth surfaced, and accept the underglazes very well.

Here I have applied Velvet underglaze Jet Black, which I use for the undercoat. I’ve left one tile natural to show you what they are like.

And on Friday, I spent the day inside again – brutal cold outside discouraged me from leaving. I put in some painting time. Two larger pieces and more smallish faces, in acrylics. When I went in the studio, everything was in such a mess.

Nice view outside!

And here’s what I worked on. They are all getting near the finish, I think.

OK, that’s it until next week.

 

Meanwhile, Back at Home

Here are tiles featuring a home-like atmosphere.

4″ x 4″, Velvet underglazes on commercially-made terracotta tiles, fired at cone 06, made in October 2017.

Travel by Car

Two tiles made in October 2017 featuring cars. One shows cars entering Route 309, a few blocks from my house.

The other is a carload of people en route to somewhere and I’m betting they are hoping to arrive soon, it being obvious the car is crammed full and people might be getting tired of the close quarters. Do I see some glum faces?

The tiles are 6″ x 6″, Velvet underglazes on commercially-made white low-fire tiles, fired at cone 06.

Who Are These People?

I don’t know. Let them speak for themselves.

Artist trading cards, collage, September, 2017.

Inky Fingers

Here are a couple of artist trading cards featuring ink.

The first one (and I may have posted the little drawing on its own, before it became an ATC – it’s a man sitting in the waiting room at one of my husband’s doctor appointments earlier this year, I believe) was done on shiny slick paper with a technical pen, I believe they are called – if you are interested in knowing more, take a look at this information from my favorite pen-buying website.

The pen and the paper work great together – the pen slides right along. I like that feature – I’m not happy with a scratchy scrapy drawing experience.

The next one was done with a Chinese brush and India ink, with some watery acrylics added for color.

The paper was very soft and the ink soaked in as the brush swept across it. I like irregularity of the lines made in this way.

Drawing ink is different from fountain pen ink. I was using Black Cat India inkin this drawing. I admit to having bought this ink because of its name, but I like how it works, and so I have tried no others. It is waterproof, which is important since I wanted to add the colors later on and I didn’t need any bleeding of that intense black color.